Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.

How far does a soccer fan goes for his beloved national team? Mariano Cárdenas will risk his job, wife and family to support his soccer team during the World Cup qualifiers.

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

An artist is interviewed about her photos.

As they seek romance and sexual gratification, the lives of eight Los Angeles natives — including a teenager, a wedding photographer and a hotel desk clerk — converge on a carousel of carnal encounters.

Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.

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Korean family made up of taekwondo experts moves to Thailand, where they set up a taekwondo gym. However, one member of the family, Taeju, wants to become a famous pop singer instead. The family becomes famous after stopping treasure robbers.

Mariano Concha, a public employee for whom soccer is a great passion. After seeing how the Colombian National Team achieves a draw against Argentina, he starts a whole process to attend the next crucial match, in Bogota and against the same team, going over all his duties and risking the future of his reduced economy. An unexpected event transforms his plans to go to the stadium.

Things looked pretty simple: the confessed murderer had all the evidence against him. The Prosecutor Jansen could not have been more relentless, conservative and incisive. Furthermore, the jury already had a verdict: guilty of the more than 30 charges against him. But suddenly Judge Kenneth Hoffman finds out that the evidence was not obtained legally, so the procedure is void. Judge Hoffman is in the middle of this legal storm, although he wants to apply the law strictly, he will find everybody against him.